I feel it before I manage to see it and almost drop the coffee cup into the sink. I could nearly mistake it for the scald of the too hot water if it didn’t run up my forearm instead of down. It is rather precise as well, like tiny piranhas biting their way along the thin paths, very artistically. And when I look down – there it is. Or better say isn’t. Parts of my tattoo gone, vanished without a trace.
The crack on the glass of the observation deck was branching fast, turning into a cave painting. Panic seized my heart, and my legs wouldn’t move to reach for the alarm button. There I was, glued to the floor in my customary observer’s position, knowing what awaited me and yet doing nothing to prevent it, to save myself.
I can feel the layers of threads, but behind them the outer envelope is rock-hard. Each time I try to get through, my thin legs are sucked into the silk of the cocoon. Each time I pull back in horror, scared they would get trapped inside. Yet I cannot stop. It gets more and more cramped in here, and the air is stale, sparse. My new body wraps around me too tightly.
Yrid was escorted down the long white corridor by a lovely blonde-haired man. His features looked even more perfect when she tried to put her own face next to his in her mind’s eye – the aligned symmetry, the enhanced colours of the irises, the glow of the smoothest skin she’d ever seen. Not that she was very much surprised – every publicity material about Karma Inc. mentioned the high clinic standards, not only when it came to R&D and equipment, but the whole aesthetics.
I tense the muscles in my right foot and half-hop, half-skitter forward. Quick pause, then repeat. After a few steps I get the rhythm and the speed, and manage to climb the ramp with only a little bit of help from my wings, which too are clipped. This is an extra measure, because I am attached to a kid – they don’t want to traumatise her by having to use the disintegrating button. I have a few words to say about that, but my programming blocks them.